Nicolet College Art Gallery-Northern National

The opening of the 27th. Northern National Art Competition was July 22 and Wayne and I were in attendance.  "Suddenly..." 35" x 45" was on the gallery wall surrounded by top-notch art, and sharing the wall with a painting by Marilyn Annin.  Marilyn, Wayne and I are colleagues at Artistree Gallery Cooperative in Land O' Lakes, WI.  This national, juried show included artists from 35 states.  The juror, Linda Benedict-Jones, curated photos of Ansel Adams via the Polaroid Collection in Cambridge MA early in her professional work. Ms. Benedict-Jones offered an interesting commentary and slide presentation in which she revealed her selection process.  Images that struck her as "somewhat uncommon" were the images she was drawn to.  Top awards were given to works in oil on panel, mixed fiber, and manual typewriter.  Yes, manual typewriter!  This artist created moving verbal and visual communication through this obsolete tool.  Pretty uncommon results from a previously common object.  I am a big fan of Marilyn Annin's work and her painting, "To the Rite of Spring" was very exciting.  Fortunately it did not create an uncomfortable uproar as Stravinsky's Rite of Spring did at it's debut.  One of the works I was drawn to was "Fairies Sitting on the Fence Watching the Approaching Storm", mixed aqueous media by Christine Alfrey of Lac du Flambeau, WI.  I was fascinated by the abstract image and curious title.  

Now about the textiles, specifically...my quilt.  "Suddenly" had a spotlight in the juror's presentation. She described being attracted to the colorful yet subdued palette and the image she perceived as a landscape.  In addition, she said the artist (me!) was clearly "accomplished".  That was when Wayne gave me a nudge in the ribs, being more subtle than a fist bump.

"Name Dropper" (size was not noted) by Pat Kumicich of Naples FL received an Award of Excellence.  The quilt was indeed clever incorporating designer labels, visually appealing and well constructed.  We had no commentary from the artist but there was a message in this image.  The woman's expression was rather blank and the arms did not end, no hands were visable.  We could imagine she was a slave to fashion, or fashionably vacant and out of proportion, and maybe hungry!  My photo will not do justice to this quilt, however I offer a glimpse to illustrate the work.  Congratulations to Pat!

A virtual round of applause to my companion artists in this show. pjb

"Suddenly..." with view of other works

"To the Rite of Spring" Marilyn Annin
Acrylic on Canvas

"Kaitlin (Paul 1923)" Leslie Nichols
Manual Typewriter

"Name Dropper" Pat Kumicich
Mixed Fiber

"Fairies Sitting on the Fence Watching the Approaching Storm" Christine Alfery
Mixed Aqueous Media


For more of Marilyn's art visit
marilynannin.com

www.facebook.com/pages/Nicolet-College-Art-Gallery/135357028126  check in with the Nicolet College Art Gallery for their report of the Northern National Art Competition.

           

In the Studio

Two quilts left home this week, one on it's way to Paducah and one delivered to Rhinelander, WI.  Kind of feels like they have gone off to summer camp.  I'm home and busy with what is next.  Peek into the studio to preview Pam at play. pjb

Pieces for the next small study.

The start of something big with a pile of fabrics and one small part to begin the process.

In the floor frame for quilting, then.....

this walnut frame with copper tacks will "frame" the bound quilt.  Copper beads will be stitched on the quilt and accent the hand quilting and the copper tacks in the frame.  Well, that is the general plan.  I'll see what develops as I go along.  The walnut frame is by Wayne Walma, my husband and main collaborator.  More on Wayne later.  

 

Talking It Over

Talking with Marge at the Beaver Island Quilt Retreat, we got on the subject of entering an AQS (American Quilter's Society) show.  Seems like we had both been thinking about it for awhile and we agreed it could be a good challenge.  I had some experience exhibiting quilts in regional art shows, and an AQS event was a leap to a bigger stage.  "Suddenly" 35" x 45" was juried into the AQS Grand Rapids show and awarded 2nd Place in the Wall Quilts-Hand Quilted category in August, 2013.  Andrea Ray, AQS Contest Coordinator asked what I would tell someone who was thinking about entering their first AQS show. Here are some thoughts:  While the process of making a quilt is rich and the result is a handmade quilt, there is a long tradition of quilters and artists exhibiting their work.  I think exhibiting one's work is a good way to say that the work has value.  For many years, I have supported the American Quilter's Society with my membership.  This organization is serious about promoting quilts and the people who make quilts, and they really walk you through the show entry process.  The location of the show, the entry deadline and exhibit duration may influence the decision to enter a show.  Beyond AQS, participation in regional and national art exhibits has expanded my network and offered relationships with artists working in other media.  All things considered, I'm glad Marge and I had that talk.  pjb

Playing It, 37" x 48" detail
Playing It will be in the AQS Grand Rapids show in August, 2014

www.aqsshows.com

Wander over to my companion blog to watch the You Tube video with Andrea Ray www.overthefencedesignsgallery.blogspot.com
    

Northern National Art Competition

"Suddenly" 35" x 45", by Pam J. Beal has been selected for inclusion in the 27th annual Northern National Art Competition.  The judge, Linda Benedict-Jones, chose 87 images from the 512 that were submitted by 266 artists.  The Northern National Art Competition is a cooperative venture of the Northern Arts Council and the Nicolet College Art Gallery.  The show opens July, 22 and runs through September 12, 2014 at the Nicolet College Art Gallery in Rhinelander, WI.

http://www.nicoletcollege.edu/about/creative-arts-series/art-gallery/northern_national_art_competition/index.html

Suddenly, 35" x 45"
Cotton, Hand Quilted

AQS Press Release

Paducah, Kentucky, USA- Pam J. Beal from Mass City is a semifinalist for the 2014 AQS QuiltWeek-Grand Rapids, Michigan, August 20-23, 2014 at the DeVos Place Convention Center.  Pam J. Beal has been chosen to display the quilt, Playing It, along with 336 others in this AQS contest.  First, Second, and Third place prizes in seven categories will be awarded, along with seven overall awards including Best of Show.  Winners will be announced at the show and posted on the AQS website, QuiltWeek.com.  More than $50,000 will be granted, including $10,000 for the Best of Show and $3,500 each for Best Bed, Best Wall, Best Hand, Best Home, and Best Longarm Workmanship, and Best Modern Quilts.  Regardless of how Playing It places in the final judging, all semifinalists' quilts will be displayed at the show, which is expected to draw more than 15,000 people.

AQS Founder and President Meredith Schroeder says, "Creativity and color are themes that run through the contest quilts this year.  Regardless of whether the attendees enjoy traditional bed quilts or innovative art quilts, there will be quilts for everyone to enjoy.

Quilts were entered in this international contest from 33 U.S. states and 7 other countries.  Come see a wide range of special exhibit quilts including:  Stitch Like an Egyptian; Quilted in Honor; SAQA Masters II; the Modern Quilt Challenge; the Pilgrim/Roy 2016 Invitational Challenge; the Exquisite Quilts of Michigan's own Aileen R. O'Toole Stannis; Quilt of Belonging-a 150 foot collaborative textile art project from Canada; and the AQS Author's Exhibit.

The American Quilter's Society hosts several shows annually, each with its own quilt contest.  Besides the Grand Rapids show, AQS hosts other prestigious shows in Albuquerque, New Mexico; Paducah, Kentucky; Lancaster, Pennsylvania; Charlotte, North Carolina; Chattanooga, Tennessee; and Des Moines, Iowa.
                       For more information, please go to www.americanquilter.com 

More Minimal Quiltmaking

Following up from the earlier post, here are the other quilts published in Minimal Quiltmaking by

Gwen Marston.  "Ontonagon Clay" and "Lilly Pad A La Mode" are related, as are "From the Copper Country" and "Circle Tour".  The smaller quilts served as a study, or the muse, for the larger quilt.  Look for similarities in the pairs of quilts, and notice the differences. Working in a small scale, and working with minimal design, offers appealing challenges, in my opinion.  The aim is to create impact with color, line, and image placement while focusing on the essentials.  Abundance is found in the pleasure of the process.   

From The Copper Country 11" x 17" x 3/4"
Mineral Stained Maple frame by Wayne Walma

Circle Tour 28" X 41"

Ontonagon Clay 9" x 11 1/2"

Lilly Pad A La Mode 24" x 38 1/2"

 The handsome art critic in front of "Lilly Pad" is the famous White Chocolate Mocha Joe.  pjb
                                                                                                                                                 

Minimal Quiltmaking by Gwen Marston

Minimal Quiltmaking by Gwen Marston is newly released by AQS Publishing, Gwen's 27th book. Consider modern art, non-representational painters, and have fun thinking about Hard Edge Quilts.  In Minimal Quiltmaking, Gwen offers process, not pattern, to advance the discussion of design. Twenty-two artists collaborate in the gallery, and I am one of them!  Each artist reveals an individual interpretation and style of minimal design reflecting the appeal of Gwen's Liberated process.  The quilter is encouraged to develop individuality, yes to become liberated.  

Minimal Quiltmaking ends with a "Grand Finale" of 13 small studies with big impact! Imagine Art Nouveau, Amish design, and exuberant Welsh style hand quilting on a small scale.  I notice my thoughts turning to the musical piece, Bolero, with it's quiet and subtle beginning.  The music builds, interest grows, and a grand crescendo is reached ending the piece with an exclamation point.  Perhaps a minimal quilt does the same thing.

Ontonagon Clay, 11" x 9" by Pam J. Beal
One of 4 quilts in the Minimal Quiltmaking gallery

Ontonagon Clay was the start of my interest in minimal design.  I focused on using restraint in line and color.  Exploring ideas first on a small scale is a common practice of artists...well, Gwen covers this in her book.

You can have your own copy of Minimal Quiltmaking by contacting Gwen, or the American Quilter's Society.  www.gwenmarston.com    www.americanquilter.com